Drawing books: How to Draw Pirates (Drawing Books - (Japanese Edition) Book 1)


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The son of Nathaniel Pousette, a painter, art director, educator, and art writer, and Flora Louise Dart, a poet and musician, Pousette-Dart was raised in an environment surrounded by music, poetry, and the visual arts, and began drawing and painting by the age of eight. In , he forged a close friendship with John Graham, whose writings were closely aligned with his own interests in spiritual concerns and so-called primitive art. Throughout the s, Pousette-Dart was most entranced by the work of Henri Gaudier-Brzeska, whose abstract sculptures, drawings, and forms in brass greatly informed the orientation of the young American artist.

Ronny Quevedo, Home Field Advantage 1 , Contact paper, vinyl and graphite on Mylar.

Open Sessions continues with artist-directed group exhibitions. Amadeo Azar explores the interrelation between the visual languages of modernism with political and social movements in Latin America, and the way those Utopian moments were disrupted as they encountered local circumstances. Daniel Barroca works with memory and history. His projects map forces anchored by images, objects, words, historical figures, and ideas. Lea Cetera produces temporal installations that examine the mediation of technology and the alienation of the human body. Youmna Chlala investigates architecture and fate.

Her work is situated in places or bodies that translate themselves against or through an external world that is constantly trying to name them. Alexandra Lerman proposes clay as a discursive medium. Her ink circulation drawings and "memory negatives" use copyrighted and patented systems to explore the complexities of contemporary body language and refer to the body located within institutional and natural environments.

Harold Mendez draws upon ideas of absence and displacement to reference reconstructions of place and identity in the United States and Latin America, with a focus on how the past manifests in the present, and thereby trigger new inquiry. Marcelo Moscheta excavates the memories inscribed in the stone paths left by the ancient civilizations and uses GPS coordinates to draw his displacement over the surface of the planet. Ronny Quevedo traces culture through history, language, and mapping.

Using a variety of forms from personal anecdotes to colloquialisms, coats of arms to store signage, games to modules, his work addresses concepts of displacement. Image: Ronny Quevedo, The History of the rules and measures 4 , Oak tag stencils on oak tag pattern paper. Catya Plate, Seeing It Through , detail, Open Sessions continues with artist directed group exhibitions. Yuri Masnyj makes drawings and sculptures that investigate how the self is registered in our compulsion to collect, compose, and display objects.

Laura Morrison thinks of her work as publishing. In writing and gallery-based forms, she examines the awkward clashes between what it means to be vulnerable and what it means to be accountable. Catya Plate uses sculpture, drawing, and animated film to explore how the creation of a new mythology may help address contemporary manifestations of anxiety and angst.

Performances will begin at pm and end approx. First come, first serve. Standing only, no seating. Produced by Brett Littman, Executive Director.


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Limited number available at the door on the performance night. Night 2 - September 12, pm Go here to buy tickets. Image: Jad Fair. Photo by Jutta Brandt. Colleen Asper and Marika Kandelaki, Dictionary of the Hole , Photograph , dimensions variable complete work includes text. The Open Sessions program continues with its fourth artist-directed group exhibition. In Drawing Waves , South African—born, German-based artist Robin Rhode will exhibit his signature, stop-action photographs in which he draws in public streets and then a performer interacts with the inscribed image in a new photographic sequence entitled, Breaking Waves , , which whimsically depicts a young boy surfing in the sea.

Rhode will partner with a group of children aged years to create this large-scale mural of the high seas, which will be video recorded and on view. He begins the process by attaching vinyl cutouts of seventeenth century mercantile ships to the gallery wall, and then invites the children to freely draw the surrounding body of water using giant, custom-made oil crayons. Yet as a participatory artwork, Rhode offers a more hopeful message by bringing urban youth culture to the fore and demonstrating the power of pure imagination.

Special thanks to Allison and Larry Berg. Initiated in , Open Sessions is a new program at The Drawing Center through which a large group of artists consider their relationship to drawing as medium, process, and metaphor. Working together over a two-year period, Open Sessions artists participate in ongoing studio visits and discussions, punctuated by small group exhibitions at The Drawing Center, as well as other self-organized shows in New York and abroad.

Name It by Trying to Name It: Open Sessions includes all artists in the program, giving the first floor of the museum over to an exploration of contemporary drawing, encompassing performance, video, sculpture, and installation, as well as traditional drawing forms. The show's numerous collaborations, in which ideas and materials are shared, emphasize the medium's flexibility and process-oriented nature. The exhibition will evolve over its six-week run, as some artworks enter and exit in two-week cycles, while others remain constant throughout the show's run.

Taken as a whole, Name It by Trying to Name It presents a window into nearly two years of thinking about drawing. Part 1: Billy Martin For the Wandering performance series in July of , Martin has invited world-renowned musicians to interpret and perform his graphic scores and automatic drawings. Set list for each night is subject to change.

Night 1 - July 8, pm Go here to buy tickets. There is still a limited availability to purchase tickets at The Drawing Center. Doors open at 7pm. Drawing Sound will continue September 11—13, , when String Noise will present a three-night event featuring different performers at The Drawing Center. See details here. A virtuoso painter and draftswoman, Frank is unique among her peers in her willingness to employ the traditional mediums of painting and drawing in the service of taboo themes.

At The Drawing Center, Frank applies her visual and psychological acumen to that most evocative and misunderstood of literary forms, the fairytale—specifically the original, unsanitized stories transcribed by Jacob and Wilhelm Grimm between and Only a few contemporary artists have worked within the fairytale genre; fewer still have systematically interrogated the complexity of these tales and the way in which they address social and sexual mores that continue to have relevance today.

Natalie Frank: The Brothers Grimm presents twenty-five drawings out of a total of seventy-five that Frank completed over a period of three-and-a-half years between and The drawings are made in gouache and chalk pastel—the first time that Frank has worked exclusively in this medium—producing both gritty and luminous surface effects. Engaging the intersection between body and mind, reality and fiction, the series can be seen as a contemporary feminist reimagining of a symbolist legacy. Copyright İnci Eviner Courtesy of the artist and Galerie Nev, Istanbul. Eviner uses repetitive, hypnotically shifting scenes to explore contemporary feminism at the crossroads of the East and West, as well as broader historical narratives and notions of the body and performance.

Unfolding in a warehouse that is under construction, the film presents fragmented scenes in which gender-ambiguous figures, whose faces are obscured by mysterious drawings, dance, struggle, and chase one another before an endlessly rotating camera. In this video the state of drawing in her practice takes on new dimensions. Drawings demand to be free. They want to tear themselves from the paper. Jacob Ferdinand Voet, Portrait de femme vue de face , , Colored pencil on blue paper. Please click here for details of how you can participate. This exhibition explores four hundred years of portrait drawings, emphasizing work from live models.

Forty portraits have been chosen from the Beaux-Arts de Paris' collection based on diverse criteria such as the male and female gestures, caricature, frontal gaze, social class, and profession of the model. The remaining thirty-six portraits in the exhibition will be hung on the gallery's back wall and will be visible to the visitor throughout the exhibition's run.

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This unique exhibition will explore the notion of drawn portraiture and provide alternative readings of this important genre of art making within a contemporary context. The selection of works is extensive, ranging from seventeenth-century to the present. Highlights include never-before-exhibited drawings by nineteenth-century luminaries Jean-Auguste-Dominique Ingres and Charles Garnier to the work of modern and contemporary masters Henri Matisse and Georg Baselitz to portraits by recent graduates of the Beaux-Arts de Paris.

Image: Jacob Ferdinand Voet, Portrait de femme vue de face , , Colored pencil on blue paper. Image: Ernesto Caivano, Codex I , , Graphite on paper, 10 x 7 inches Courtesy of the artist. The exhibition is organized by a shelving system that encircles the entire space, and includes artworks alongside art ephemera, books, and household objects. Will you stay home, please? This blade of grass is positively, miraculously, familiar.


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Stealing first base…!? A veritable, infinity of obstacles between here and— The last ephemeral boon of untruthful clearings is perfect nowhere. Original obstacles entrenched in chaparral; pervasive, go haywire. A singular event, methodically set forth, laid plain many paths across a desolate landscape …and when "an unstoppable force meets an immovable object? I , detail , Graphite on paper, 10 x 7 inches, Courtesy of the artist.

But the virtuoso draftsman—who was born in Alsace, France, in , and who currently resides in a remote part of Ireland near Cork—is much more than this. Ungerer also made graphic erotic drawings throughout his career. That Ungerer is not as well known in America today as he is in Europe is largely due to his self-imposed exile c. The Drawing Center exhibition is the first career retrospective in the United States dedicated to this extraordinary artist.

Curated by Claire Gilman, Curator. Schawinsky played a key role in the school's vital social life and was a member of the Bauhaus Band. He studied graphic design and experimental photography and was also deeply engaged in the Bauhaus's theater workshop as an actor, set and costume designer, creator of performances, and teacher.

The exhibition focuses on two bodies of work Schawinsky made between and , Faces of War and the Head Drawings. The former are man-machine hybrids that could represent either an aggressive enemy or a powerful avenger—or perhaps an identity that encompasses both. The Faces of War break from the utopian optimism of the early Bauhaus and reveal the existential struggle of an artist coping with identity and the devastation of war.

Buy the catalogue. Mixed media, watercolor and black pen on paper. Image courtesy of the artist. Open Sessions continues with artist-directed group exhibitions and public programs. New work including a collaborative film on fairy tales and politics; an installation under the stairs; a stack of posters in envelopes, ready to be mailed; a comic book for reconciliation; drawings of movie cameras, and of films; Morse code messages; and other new work.

Many Worlds is a collaborative folio project developed by Matt Neff and Adam Shecter, consisting of an edition of prints from each artist in Open Sessions 2. At The Drawing Center, visitors are invited to fill out an address label in the gallery and a print will be mailed to the address of their choosing. Each print is sealed into an envelope printed with fragments of the editioned images. Sharma loves this friend very much, who nevertheless has an extraordinary talent for making their relationship unbearably painful. Everything is steeped in messianism, melancholia and black carbon dust.

The inventor, Le Prince, mysteriously vanished shortly before his creation was unveiled to the public. Correspondingly, drawn images of the films Ugetsu Monogatari - 96 minutes and The Woman in the Dunes emerge from the surreal experiences of characters in each film after they depart from their daily existences. Together the drawings evoke disappearances in real and fictional stories. Matt Neff's Untitled is made from a discarded incubator that takes on the abstracted sculptural image of a lifeless form on the ground, flooded by the muddled lights of both the police and the community's protests, and is a reflection of the ongoing struggle in Ferguson, Missouri.

Untitled is visually inspired by Neff's Cage Variation toner drawings, which he began several years ago and has continued to revisit through drawing, print, and now sculpture. Scary Stories is an evolving archive of oral and visual narratives recorded and edited by artists Tatiana Istomina and Joey Fauerso. With plans to expand the archive by recording in multiple locations nationally and internationally, Scary Stories fosters conversations between individuals and larger communities on the definitions and incarnations of fear, and creates the basis for mutual empathy and understanding through the fundamental acts of drawing and storytelling.

Open Sessions 2 presents a selection of short films based on the stories and drawings recorded by Fauerso and Istomina in San Antonio and New York. The artists will be working in a recording room at the back of the gallery throughout the show, conducting interviews with visitors to the museum and documenting their stories and drawings. To sign up for an interview, please email artists at participate scarystoriesproject. It has been built intuitively, without a plan, using a language of experimental architecture inspired by Lebbeus Woods, whose drawings were exhibited by The Drawing Center in Loper will draw the built form from observation at set times during the exhibition, leaving the drawings behind as part of the installation.

The durational performance, which takes place over the course of two months, will result in the fabrication of a five by thirty-four foot sculpture: a colorful cross composed of innumerable strands of thread. Ink on rice paper, 19 x 18 inches. Sari Dienes is the first museum show ever devoted to the artist.

Her transfer drawings of subway grates, sidewalks, and manhole covers produced images that were at once abstract patterns and highly recognizable subjects. Dienes placed drawing at the center of her practice while simultaneously challenging traditionally held views about the medium. These drawings had a profound formal, technical, and iconographic impact on a young generation of artists, including Robert Rauschenberg and Jasper Johns.

While widely exhibited and well—received at the time of its creation, her work has been largely overlooked in recent decades. This exhibition highlights her practice and sheds new light on her legacy. Brochure Read Sari Dienes Lab gallery brochure. The exhibition will provide The Drawing Center with a unique opportunity to explore the relationship between visual art—specifically drawing—and commercial filmmaking. Curated by Brett Littman and Nova Benway.

The Intuitionists is a collaborative artist project inspired by Colson Whitehead's novel of the same name—a work of speculative fiction that explores the relationships between progress, technology, and difference. The exhibition considers how the collection, the database, and the aggregate serve as complementary models for the organization of information and objects in flux. Each item in the exhibition is hung according to the sequence determined by Whitehead's text. The Lab gallery features a collaboration by Hart, Jemison, and Valentine, also inspired by their chosen paragraph from the novel, using its words and letters to form an interpretive drawing.

Paul Chiappe, Untitled 48 , Pencil on paper. Collection Lea Weingarten. This group exhibition features a selection of international contemporary artists who adopt an intimate format to explore issues related to visual perception, personal and historical memory, the construction of gender stereotypes, and the power of the imagination. In an age when cavernous galleries and outsized images and objects suggest that bigger is necessarily better, working small carries a certain risk.

It is a risk, however, that the nine artists in the exhibition are willing to take as they create minute worlds that absorb the viewer while resisting possession. The selected works range from graphite photo-realist renderings to interventions in found objects to site-specific installations, including a custom-made tabletop bearing microscopic figurations and a postage-stamp-sized watercolor inserted directly into the gallery wall.

The artists in Small. Image: Paul Chiappe, Untitled 48 , Working mostly, but not exclusively, with pencil on paper, Woods has created an oeuvre of complex worlds—at times abstract and at times explicit—that present shifts, cycles, repetitions within the built environment. His timeless architecture is not in a particular style or in response to a singular moment in the field; rather, it offers an opportunity to consider how built forms impact the individual and the collective, and reflect contemporary political, social and ideological conditions, and how one person contributes to the development and mutation of the built world.

Lebbeus Woods, Architect brings together works from the past forty years by one of the most influential designers working in architecture. Beyond architects, he has been hailed by designers, filmmakers, writers, and artists as a significant voice in recent history, his works resonate across many disciplines for their conceptual depth, imaginative breadth, lasting beauty and ethical potency.

The exhibition centers on transformation as a recurring theme, providing a framework for understanding the experimental nature of the work. Special thanks to the Estate of Lebbeus Woods. In New York Lye is now well known for his animated experimental films. The exhibtion will include a selection of paintings, drawings, and photograms, never before seen in the United States.

All Souls Carnival Courtesy of the Len Lye Foundation. Courtesy of of thee Museum of Modern Art. A Colour Box A closing reception will be held Sunday, March 23, from pm. Special thanks to Triangle Arts Association, which supports emerging and mid-career international and U. Please click here from March for the daily Drawing Lesson schedule. Andrea Bowers and Suzanne Lacy: Drawing Lessons will consist of drawing lessons provided by Bowers over the course of nine days as a platform for conversations; resultant drawings; video projection; and the installation of the lesson environment—lights, platform, drawing easels, etc.

As they work together under scrutiny of the audience, Bowers and Lacy will explore in work and conversation questions they engage with in their practices in general. For example: what are the roles and problematics of representation in public practice art? How do artists reconcile activist and field-based practices with the necessities of production for gallery and museum? What is the relationship between second and third wave Feminism? What is the role of venue, object, and style in the identification, historification, and evaluation of art?

As this is an intensive and actual attempt to teach Lacy to draw, lessons will last four hours per day with drawing practice in between sessions for a total of six hours per day. If you are interested in bringing a group to observe the performance, please contact Kate Robinson, our Visitor Services Manager, at krobinson drawingcenter. For this exhibition we will offer a ticket to visitors allowing free return visits to the performance. We will be open every day of the performance, Monday — Sunday pm, Thursday pm, including days The Drawing Center would normally be closed.

Please note that the artists will take unscheduled performance breaks throughout the day; the installation will be visible continuously throughout open hours.

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Courtesy the artist. Please note, the performance will take place on Thursday, March 6 at pm. The event is free, but an RSVP is needed. FIVE The Drawing Center is a multimedia performance that highlights the art of vogue, a dance form characterized by angular and linear body movements inspired by the stylized poses of high fashion models on the catwalk and in the pages of magazines.

New York-based vogue dancers and musicians, including renowned opera singer, Stefanos Koroneos, and distinguished Vogue Commentator, Kevin Jz Prodigy, will perform and be conducted by Newsome. In addition to the evening performance, video documentation from FIVE ARTHK , originally performed at the Hong Kong International Art Fair, will be exhibited as well as five multi-colored, line drawings produced using motion-tracking software from that performance.

Produced by Joanna Kleinberg Romanow. Special thanks to Galerie Henrik Springmann, Berlin. For the past decade, artist Deborah Grant has interwoven historical accounts and personal experiences with references to contemporary political and social issues in her ongoing series Random Select. Grant culls material from a variety of sources including magazine photographs, comic books, published texts, and art historical reference books which she masterfully translates and brings together via her signature drawing method to create highly personal, non-linear narratives that investigate politics, race, and cultural identity.

Bell and renowned modernist painter Henri Matisse. Mary A. Bell — , a deeply devout Catholic domestic servant who produced over a hundred drawings after she had retired from service, never received formal artistic training. Curated by Claire Gilman. Oil, archival ink, enamel, paper, Arches W. His complex body of work positions the medium as both a philosophical tool—used to organize and convey knowledge, meaning, and signification-—as well as a physical object—used to synthesize over twenty years of innovation in the kitchen.

Hundreds of notebooks have been filled with concepts, ideas, collaged photographs, and loose sketches for new dishes for elBulli. More straightforward creative methods in the form of lists, tables of ingredients, and cooking methods have also been used to synthesize ingredients and conceptualize new ways of cooking. The use of drawing to articulate cuisine as both a product and a concept is indicative of a creative model that is always in flux.

Curated by Brett Littman. Special thanks to The James New York. And three elaborate charts enlarged and transferred to walls map the creative, culinary and gastronomical process with the inspirational verve of a Joseph Beuys blackboard. Ink on paper, 11x17 inches, Courtesy of elBullifoundation. Although Walser, who was born shortly before Dickinson died, was most likely unaware of her work, both writers were obsessively private as well as peculiarly attentive to the visuality of their texts.

Walser wrote in tiny, inscrutable script on narrow strips of paper using an antiquated German alphabet that was long considered indecipherable. Similarly, Dickinson fitted her multifarious poetic fragments to carefully torn pieces of envelope or stationery, which were discovered among her posthumous papers.

In both cases, the form of these texts affects the language itself as both writers crafted their words in response to the form at hand. Rarely in literature has the manner in which words are made been so integral to the way in which they might be read. PRESS The New York Times review "Together, the two exhibitions prompt mind-stretching reflection on the complicated relations between writing, communication and reality.

This exhibition is organized simultaneously with Marking Language at Drawing Room, London October 10—December 14, and a joint publication will be produced. This show features an international group of artists spanning the s to today, all of whom are engaged in exploring the relationship between drawing and writing as distinct yet interrelated gestures.

Paradoxically, language became a favored tool in this effort as artists such as Dan Graham, Mel Bochner, and Hanne Darboven manipulated the written text in an effort to evacuate predictable meaning and uncover the materiality of language. The exhibition catalogue is made possible by the Ministry of Foreign Affairs of Colombia. Christine Nichols. William Engelen 's latest works, Falten [Folds], is an exhibition of a new series of musical scores for percussion by the Berlin-based artist.

Falten [Folds] build musical compositions from folded paper. At the start of each composition, Engelen draws a time line on a sheet of paper. Each centimeter of paper corresponds to one second in the score. The artist shapes the paper into three-dimensional forms—ovals, cones, or even knots. He then hand-draws a staff notation on the sections of the paper that are not hidden in the folds. Through this structure of creases and lines, Engelen organizes, through both intention and chance, the elements of sound and silence in each piece.

The landscape of the paper determines the music that can be made from it. The lines on the page and resultant folds manifest the score as an intricate drawing. Falten for Percussion consists of eight parts, and will be debuted by the celebrated percussion ensemble Talujon. Curated by Nova Benway. Talujon performs: Thursday, November 21, pm during our Opening Reception. No admission fee. Image: Sean Scully, Change 7 detail , Germany, and contemporary choreographer Luca Veggetti b.

Italy, Staged over three nights, this event will open and close with a new video installation by Hefuna of a bustling, lower Manhattan intersection—a literal mapping of people and place that examines movement as something that is both rehearsed and habitual. Sketched onto the floor will be an expansive web of chalk lines made by Hefuna her largest work to date in advance of an audience; its dramatic creation captured by film.

The performance culminates in a dynamic display of swooping whorls made by their distilled movements across the floor. The effect is its own form of choreographic documentation. This exhibition marks the first survey of drawings by Ken Price, an artist best known for his sculptural work. Booth, and Sara Szold. The show will feature over 80 works in drawing, painting, film, theater design, and illustration, dating from the s to the mids, decades during which the artist formulated a unique response to a developing commercial culture.

This exhibition will also be on view from October 25, —January 26, at Galleria nazionale d'arte moderna e contemporanea in Rome. Image: Giosetta Fioroni, Liberty , Collection Jacorossi, Rome. Drawing Out: Student Artwork from the Drawing Connections Program features student artwork from the Drawing Connections program, which pairs practicing artists with teachers in Lower Manhattan public schools to develop projects that relate classroom curricula to exhibitions at The Drawing Center.

Additional funding is provided by Zoe and Joel Dictrow. Image: Alexandre Singh, Assembly Instructions The Pledge- Leah Kelly detail , 37 framed inkjet ultrachrome archival prints and dotted pencil lines, The Drawing Center is pleased to present the first North American solo museum exhibition of work by the Berlin-based artist Ignacio Uriarte. Inspired by his former career in business administration, Uriarte showcases the aesthetics of the office and its travails. Creating what he can with what is immediately available to him, Uriarte converts the information, skills, and objects encountered in the workplace into explorations of plane geometry and pure abstraction.

His drawings, at turns bold and subtle, improvised and predetermined, occupy a zone somewhere between the febrile forces of the imagination and the stultifying culture of office life. Special thanks to the Goethe-Institut, New York. This project by Peruvian born, New York and Cusco-based artist Ishmael Randall Weeks will provide a meditation on recent Peruvian history in the form of a double slide projection using found slides that Weeks burns, punctures, cuts, and draws upon.

Double-focus slide projection with hand-altered mechanism. Courtesy of the artist and Eleven Rivington: New York. Guillermo Kuitca: Diarios will be the first U. The Diarios, as the artist calls them, are the most transparently personal works in his oeuvre as they gather residue like phone numbers, titles of paintings, email addresses, blank spots where books sat, lists, and collaged elements that record the ebb and flow of life inside and outside the studio. Collection of the Artist. Courtesy Sperone Westwater, New York.

Color is always rooted in a particular place, and form manifests the self. In these animated and live action shorts, drawing takes place atop, from within, and while travelling through diverse landscapes: urban and natural, as well as public and private. While some films in this presentation use drawing as a means of recording the ever-changing landscape, others present creative responses to specific physical or environmental conditions. In all instances, drawing serves as a means of connecting its practitioners to a dynamic world.

This exhibition will present the plates as primary art objects without preparatory drawings or the resultant prints. Established in , the Istituto Nazionale per la Grafica is the result of a merger between the Gabinetto Nazionale delle Stampe and the Calcografia Nazionale. Since its inception, ING has been instrumental in promoting the systematic study of printing plates as unique art works, and is dedicated to promoting the study and conservation of historical printmaking techniques. Istituto Nazionale per la Grafica, Rome.

This recent body of work by Paolo Canevari b. Comprised of ten large-scale etched plates, this presentation extends the thesis of the concurrent exhibition, Drawing and its Double: Selections from the Istituto Nazionale per la Grafica , by displaying plates without their resultant prints. Courtesy of the artist and Gallery Christian Stein, Milan.

Lakra b. For this exhibition, Lakra will create a site-specific wall drawing throughout the gallery, integrating works on paper. In this presentation, Lakra uses drawing as the most immediate artistic impulse to invoke fundamental human urges like sex and violence. Using a range of source material, from anatomy textbooks to magazine pin-ups and comic strips, Lakra looks to Mexican and international art historical traditions, as well as the contemporary iconography of tattoo art and borrows a rich sense of satire from his early interest in cartooning.

Creating a transformative visual overload, Lakra merges representation with an invented universe, as works transcend categorization and challenge social norms. This exhibition is curated by Assistant Curator Rachel Liebowitz. Image: Dr. Lakra, Untitled , Courtesy of the artist and Kurimanzutto, Mexico City.

Recess Activities, Inc. Now in its 7th year, Drawing Out features group projects by approximately students from four participating schools: Chelsea Career and Technical Education High School, P. Image: Imogene Dunn, 2nd Grade, P. This group exhibition focuses on a growing trend within drawing: the meticulous translation of images from photographs and photo-based media. Concentrating on instances of social and political transformation from the last two centuries, the thirteen artists in Drawn from Photography turn to source material that ranges from snapshots taken by the artists to photos from news media.

Together, the artists in Drawn from Photography present a novel approach to the drawn medium. Watercolor on Mylar, 28 x 34 inches. Image courtesy of the artist and Museum The exhibition also addresses the ways in which contemporary artists support themselves in an economic climate that often demands particularly diverse and flexible solutions to staying afloat. Rather than subscribing to the idea that having a job is by definition disruptive, Day Job looks at the ways in which the information, skills, ideas, working conditions, or materials encountered on the job can become a source of influence.

Image: Luis Romero. Selected Fetishes, Courtesy of Karen Lennox Gallery, Chicago. SmartSpaces exhibition in the windows of Lafayette Street between Broome and Kenmare Reception: Thursday, December 9, pm This exhibition investigates the variety of approaches to animated drawing in contemporary art, featuring recent work from a selection of internationally recognized mid-career and emerging artists. With hand-drawn images as the foundation of all of the selected work, some artists play directly with the medium of drawing as both technique and the material object, while others use a more whimsical bent, creating imaginative narratives alongside attending visuals.

In all the films being screened, the artists explore the relationship between our surroundings, human culture, and identity, ranging from quick gestures to more elaborate, descriptive narratives. Working with curators and arts organizations, SmartSpaces facilitates artistic interventions at the borders of public and private space, transforming empty properties into temporary public art venues, with information and tools that engage and inform the public.

Educational information includes signage, free cell phone audio guides, text messaging and online video and podcasts. Arthur A. Houghton Jr. The idea was revisited by architect Paul Rudolph in when the Ford Foundation commissioned a study of the project. In this exhibition, approximately 30 full-scale reproductions of drawings, prints, and photographs dated from — will be on public view for the first time.

This presentation is comprised of approximately 50 graphite, watercolor, and ink on paper drawings made by Gerhard Richter b. The first of its kind in the U. Image: Gerhard Richter, R. Private Collection, Berlin. In addition to the tile and mirror wall relief, Wieser will show a new series of colorful line drawings that play on the installation's optical and spatial illusions and serve to foreground her distinctive approach to abstraction. Together, the works mark the experiential and the intangible through precise geometries imbued with layers of spiritual, psychic, and phenomenal meaning that lead the viewer into contemplative spaces where the primacy of mark-making and viewing become fused.

Curated by Joanna Kleinberg, Assistant Curator. Image: Claudia Wieser, Untitled , This presentation will feature approximately 50 oil stick and ink on Bristol board and vellum drawings made between and Although he was most often noted as a painter, Golub used drawing as a foundational tool in his practice. The drawings on view mark a stylistic and thematic shift from a long-term preoccupation with the atrocities of the external world towards an exploration of the personally revelatory. Photography by: Cathy Carver.

Dorothea Tanning: Early Designs for the Stage will present approximately twenty hand-drawn ballet costume designs by Dorothea Tanning b. Dating from —, the designs will be shown together for the first time, and will be accompanied by archival photographs and ephemera related to the staged productions. Taking the form of traditional fashion plates, the blithely rendered drawings are suggestive of bodies in motion and portrayals of outlandish characters through the quirky detailing and sensual drapery of the costumes.

Collection of the artist. The exhibition features student artwork from the Drawing Connections program, which pairs practicing artists with teachers in Lower Manhattan public schools to develop projects that relate classroom curricula to exhibitions at The Drawing Center.

Now in its 6th year, Drawing Out will feature group projects by approximately students from four participating schools: Chelsea Career and Technical Education High School, P. Mixed media on paper, 19 x 24 inches. Iannis Xenakis: Composer, Architect, Visionary explores the fundamental role of drawing in the work of Greek avant-garde composer Iannis Xenakis — A leading figure in twentieth century music, Xenakis was trained as a civil engineer, then became an architect and developed revolutionary designs while working with Le Corbusier. Included are rarely-seen hand-rendered scores, architectural drawings, conceptual renderings, pre-compositional sketches, and graphic scores.

Image: Iannis Xenakis, Study for Terretektorh, c. Selections Spring Sea Mar ks is comprised of works by Agnes Barley, Jerome Marshak, and Peter Matthews, three artists selected from the Viewing Program who notate, describe, and interpret aspects of the sea. The exhibition examines the capacity of drawing to represent something as dynamic, volatile, and vast as the ocean. All three artists in Sea Marks use distinctly different interpretive strategies that yield a range of unexpected results; in fact, one may not immediately recognize the sea in any of their works.

While staying within the material bounds of traditional drawing, the works expand our understanding of how drawing acts as a descriptive system and means of interpretation. Image: Agnes Barley, Untitled Collage , Acrylic on cut paper, 15 x 16 inches. Photo by Cary Whittier. An exhibition of drawing-based works by the late American artist Ree Morton — , will be on view in the Main Gallery and Drawing Room from September 18 — December 18, Yet the scope of her artistic production remains largely unrecognized, as does her vital contribution to feminist art practice and the importance of drawing to her development as an artist.

The exhibition is comprised of a selection of early drawings, several of which will be on view for the first time, along with major drawing-based sculptural works and a selection of notebook sketches. Eliot poem Morton kept above her studio desk. Courtesy Alexander and Bonin, New York.

Photo: Bill Orcutt. FAX will invite a multi-generational group of artists, architects, designers, filmmakers, and thinkers to conceive of the fax machine as a drawing tool. Image: Matt Sheridan Smith, Untitled contrast test detail , Courtesy of the artist and Lisa Cooley Fine Art. Drawing Out provides neighboring public school students with a museum visit and in in-school art-making sessions led by teaching artists, culminating in an exhibition of student artwork.

Participating schools: P. Yu Xiang Lin Grade 3, P. Benjamin Altman School , Untitled , Ink on paper, 24 x 19 inches. Shown together for the first time, Shock of Time and Lie of the Magician combine traditional drawing materials and printmaking techniques with digital media. The former depicts various tropes and metaphors of duration and transience made from hundreds of single illustrations drawn onto old Communist newspaper and magazine pages. Xun films these drawings to create a series of vignettes revolving around the passage of time.

Single channel video, minutes. Courtesy Fortune Cookie Projects. Apparently Invisible: Selections Spring presents work by nine artists selected from the Viewing Program. The pieces included in the exhibition skirt the edge of perception and cognition, requiring a recalibration of the visual and a momentary investment in a more quiet sublime. Graphite and cuts on drywall, 96 x inches. For over three decades, New York-based artist Matt Mullican b.

Since the end of the s, he has also conducted performances and created drawings while under hypnosis as a means to explore the nature of behavior. Image: Matt Mullican, Untitled , Oil paint on paper, 18 x 24 inches. As part of the exhibition, invited artists will utilize the installation to host a series of drawing courses. The Demonstration Drawings provide a perspectival view of collective actions, political protests, and popular sovereignty movements worldwide—turning ephemeral images of strife and social conflict into documents of political aspiration.

Image: Rirkrit Tiravanija, untitled demonstration no. Smith Company, c. Using her chosen medium of oil stick on paper, the artist deploys a sparse, tense, and energetic line to make drawings that are at turns comic, perverse, poignant, and brutal. Henderson works with the radio on, the sounds of talking pundits and news stories filtering through her onto the page where ambiguous scenarios offer playful or possibly sinister interactions.

By offering disquieting representations of patterns of human behavior, her work asks us to consider our own complicity in and capacity for violence as well as benevolence. Curated by Nina Katchadourian. Image: Kathleen Henderson, Hole , This exhibition explores the pivotal role drawing played in the interdisciplinary and multifaceted work of Austro-American designer, artist, theoretician, and architect, Frederick Kiesler Frederick Kiesler: Co-Realities will trace Kiesler's interest in the expressive and conceptual possibilities of drawing through key projects and concepts from the s to the s, from his early work as a scenic designer to his revolutionary designs for Peggy Guggenheim's Art of the Century Gallery, and his decades long investigation into the unique structure of his Endless House.

As so few of Kiesler's installations, sets, or projects remain or were ever realized, the drawings have become key to understanding his significant contribution to 20th century thought. Philip Johnson called Kiesler "the best-known non-building architect of our time.

The exhibition will present works spanning from the late s to the present and will highlight an overlooked facet of experimental film. Many of the works to be exhibited are seminal films in the history of the genre—including Len Lye's A Colour Box and Norman McLaren's Blinkity Blank —while other, more contemporary works are being screened for the first time.

By showcasing films from over seven decades, Drawing on Film will present an overview of the rich legacy of direct film. The exhibition will transform the Drawing Room into a screening room with a program of films by eleven artists that will screen multiple times each day. In addition, individual installations, one by Jennifer Reeves and one by Jennifer West, will run for one week each. Tuesday, July 8 — Saturday, July 12 daily Jennifer West, Popped Cherry Film 16mm film leader stained with cherry juice, popped with hole puncher , , min. Music composed and performed by Anthony Burr.

For the past 60 years, Arslan has been mining the depths of the unconscious mind, bringing together Western and Eastern aesthetics and philosophy in finely wrought works that he calls Artures. Serial in format, the hundreds of drawings he has produced deal with subjects as varied as schizophrenia and the eroticism of de Sade, Bataille, and Artaud, as well as visual interpretations of artists, poets, writers, scientists, musicians, and philosophers that have influenced his thinking.

Though Arslan has exhibited extensively in Europe and is well-known in Turkey, this exhibition in the Drawing Room, curated by Executive Director Brett Littman, will be the first survey of his work in the United States. Photo by Cengiz Tacer. Drawing Out is an annual exhibition of student artwork from the Drawing Connections Education Program, which places teaching artists in downtown public schools.

Spring Selections will mark the first exhibition curated with the use of The Drawing Center's newly established online Artist Registry. Selections exhibitions are a cornerstone of The Drawing Center's exhibition program and a key component of the Viewing Program. Selections Spring celebrates the 92nd Selections exhibition in the Center's ongoing series that presents new work by underrepresented and emerging artists. Sterling Ruby addresses notions of violence, repression and social control through a diverse artistic practice, incorporating sculpture, video, photography, drawing, collage and installation.

Image: Sterling Ruby, Prison detail , Alan Saret: Gang Drawings marks the first major museum exhibition of Saret's work in 17 years. Saret was a vital part of the Soho alternative art scene in the late s and 70s, as well as an important figure in the history of process art and post-minimal art. Organized in close collaboration with Saret himself, the exhibition will feature never before seen work drawn from the artist's own archive. Non-Declarative Art explores ambiguity and the rejection of overt meaning in the work of thirteen emerging artists selected from the Viewing Program.

The exhibition presents drawing-based work that ranges from pointed to trivial in subject matter, from perfection in craft to studied clumsiness. Gego, Between Transparency and the Invisible explores the intriguing relationship between line and light in the work of the Venezuelan artist Gego Gertrud Goldschmidt, Juxtaposing important artworks produced from the mids to the late s and bringing two bodies of Gego's work into dialogue for the first time, Gego, Between Transparency and the Invisible , will foreground the critical role that drawing and printmaking played in the artist's oeuvre.

Buy the catalogue: Gego: Between Transparency and the Invisible. For this exhibition in the Drawing Room, the artist William Anastasi will recreate seminal site-specific works dating from the mids. These early pieces are a testament to the artist's interest and pioneering efforts in site-specific projects, as well as in the medium of drawing. The artworks incisively explore the nature and behavior of drawing in the gallery space through different strategies, bringing to the surface questions about site and medium specificity, materiality, and the dematerialization of the art object.

By focusing on the artist's expansive approach to the medium, the exhibition aims to contribute to a much deserved critical reconsideration of Anastasi's oeuvre. Drawing Out is an annual exhibition of student artwork from the Drawing Connections education program, which places teaching artists in downtown public schools.

Visionary architect and artist Yona Friedman is one of the most important and influential figures working in the fields of sustainable and self-initiated architecture. Utilizing simple, everyday materials, Friedman will create an installation in the Drawing Room in collaboration with Normal Architecture Office that foregrounds his concerns with flexible, utilitarian, and portable design.

Levity: Selections Spring explores lightness as both a material and metaphoric condition in the work of fourteen emerging artists selected from the Viewing Program. Levity presents drawings made using a variety of methods and materials—including light itself—to investigate transparency, highlight a humorous view of mundane objects and situations, or compose whimsical and joyful imagery.

Despite early success and a long teaching career at Cornell University, Eleanore Mikus seems to have largely been missed by history. A progression of images begun with a single dot in space, the complete series of thousands of drawings evolves through gradual movement, each drawing in the sequence referring to the preceding one. While strictly non-referential, the drawings evoke cosmic imagery — swirling clouds, clusters of planets, wave patterns — and have been numbered as years, celebrating two millennia. Common Destination: Selections Fall features twelve emerging artists selected from the Viewing Program.

The artists in Common Destination explore the fictions, histories, and futures of geopolitics through an expansive approach to drawing. The exhibition will run concurrently in the main gallery and the Drawing Room at 40 Wooster. Their playful images are generated from wishes requested via webcam from passersby in Barcelona, London, Stockholm, Shanghai, Tokyo, and New York City.

To see more of their work please visit www. Eva Hesse Drawing is the first exhibition in over 20 years to focus on the role of drawing in the achievements of Eva Hesse , one of the most influential artists of the postwar era. Image: Eva Hesse, no title, New York artist Stephen Posen will present an ambitious new drawing installation that explores scale, color, and the quality of line, engaging the walls, ceiling, and floor of the space, as well as the street outside it, with a circular trace of movement that has spatial, metaphorical, and poetic resonances. Drawing Out will present cross-disciplinary group projects by students from four participating schools: P.

Analog Animation will highlight a wide array of inventive animated works presented in a continuous projected loop and four site-specific installations. This collaborative of emerging artists took over the Drawing Room with large-scale drawings that grew throughout the space and changed with performance and natural decay as the artists playfully explored the process of structures that become established and then deteriorate over time.

Thirty years after the fall of Saigon, Persistent Vestiges brought together work by Vietnamese and American artists dating from the war-era and the present day. Hand-printing on the gallery walls by Nancy Spero and collages by Martha Rosler were in dialogue with photo-based mixed media work by Dinh Q. Persistent Vestiges juxtaposed the work of artists from different generations who approach the subject of the war from various perspectives.

The exhibition continued in the Drawing Room. The artists in LineAge explored the genealogy of the drawn line in terms of formal development, biographical content, or demarcations of identity. The acclaimed Trinidadian artist Peter Minshall works in the medium of mas , the costumed performance portion of Carnival. This exhibition of hundreds of small sketches conveyed the artist's intensive cumulative process of preparatory drawing as he envisions a full troupe of costumed performers in motion.

Minshall has created scenarios for dozens of performances with hundreds of people, including Carnival and the closing ceremonies for the Summer Olympics in Atlanta, Georgia Rather than creating murals or using the wall as a super-canvas, these artists delved into the function of the wall and its symbolic value.

Whether making subtle graphite marks, bold drywall cut-outs, huge gestural lines, or digital media projections, all of the artists played with ideas of illusionism, transparency, depth, and materiality of the wall as it both supports and becomes their artwork. Through diverse approaches, the artists in Wall-to-Wall Drawing deconstructed the surface of the museum wall and developed complex relationships between the wall and the message of their work. This exhibition presented two- and three-dimensional works on paper by the under-recognized New York-based artist Zoe Keramea b.

Through the use of deceptively simple motifs—lines, knots, and geometrical shapes—Keramea produces "drawings" that unfold conceptually from a flat plane or sometimes emerge three-dimensionally in paper constructions. The exhibition reflected Keramea's sense of delight in visual challenges, and she invited viewers to involve themselves in the mental "unfolding" of the work. Participating schools are: P.

Nasreen Mohamedi: Lines among Lines presented the contemplative abstract drawings and photographs of the under-recognized Indian artist Nasreen Mohamedi Mohamedi's spare drawings were informed by ideas of modernity and by the geometry of Islamic architecture. The exhibition featured thirty of the artist's fine-line drawings created from the early s to the late s, as well as fifteen of her black-and-white photographs.

The exhibition highlighted the exchange between drawing and photography throughout Mohamedi's work. In both media, the artist reduced structures and spaces to patterns of diagonals and planes. In a style similar to "Polar Bear Visits Laos", these cartoons teach the tones. The Joy of Reading Reading aloud to children brings many benefits.

But it's never been a tradition in Laos. Kamsanongkam An elderly monk teaches two boys about kindness to all living creatures. Kidnapped David Balfour encounters an evil uncle, a kidnapping, a shipwreck, and murder, in 18th-century Scotland. King Giant and the Honey Seller A traditional Lao fairy tale about a giant, a princess, and a poor but wise honey-seller.

Name That Book cont. Part II | Romance - from historical to contemporary | LibraryThing

Lao New Year Colorful photos of the most important Lao holiday, with short, simple text for very young readers. Lao Proverbs Don't take lice from someone else's hair, and put it in your own hair.

Here are 30 popular Lao proverbs. Lao Proverbs Coloring Book Children can learn our culture's proverbs as they color Ounla's entertaining cartoons. Lao language; 19 x 26 cm Temporarily Out of Print kip. Laos More than photos, most taken in , and text depict people, customs, crafts, and clothing of Laos at that time. The Lazy Man's Plan A lazy man concocts an elaborate plan so that he'll never have to work again. It all begins with a small bag of rice Lazy Pig A colorful, and easy book for new readers shows 4 animals that each get the fruits of the labor -- or of their laziness.

Learn to Count with Gikong One buffalo. Two fish. Three houses. Children will have fun counting as they explore pictures of a growing Lao village. Let's Eat Eye-catching photographs and brief captions show animals eating, gulping, gnawing, and pecking. Life in Hell Buddhism teaches us that we will go to heaven or hell when we die. Heaven is peaceful and Hell is painful.

Life in the Sea From jellyfish with no brains, to a fish that climbs trees, here's a lively look at some fascinating animals. Life in the War Thongphet tells of his life as a young soldier, fighting to end decades of French rule and American bombing. Life in the War in Xieng Khuang Five Lao men who survived the terrible war years of the s and early s tell about their experiences Lao language; A5 kip. The Life of Buddha The story of The Buddha, who was born to bring peace to earth, from his birth, to monkhood, to reaching nirvana.

The Lion and the Jackal A jackal helps a lion that is stuck in the mud, and they both learn about friendship and trust. Little Cow A beloved Buddhist parable, often told via pictures on temple walls, about an earlier life of the Buddha. Little Crow An easy-to-read, high-interest story about a native American Indian boy as he comes of age. Little Deer An easy-to-read, high-interest story about a Native American boy in a culture that centers around the buffalo hunt.

The trail is steep, but Little Elephant won't give up. The Little Mermaid Hans Christian Andersen's fairy tale comes to a land where previously, only Nagas dwelt below the waves. The Lying King and the Sun Bear Four traditional folktales that have been told for generations by Khmu people, the largest ethnic group of Laos. Men's Health A lively, humorous introduction to anatomy, STD's and their prevention, pregnancy, birth control, and related issues.

Minerals are Fascinating! Informative text and colorful photos tell about minerals: How they form, and how they are used. The Monk and the Trees A young monk blesses a different tree each day for the benefits it brings to both people and the natural world. Lao and English; Two stories from Aesop present food for thought.

The Monkey King A human king, out to capture mangoes from a band of monkeys, learns an important lesson from the monkey king. The Monkey King and other stories Three stories from the Buddhist tradition introduce themes of heroism, trust, and kindness to animals. The Monkey King and other stories Lao language; A5 kip. The Mother Fox and Her Puppies Two fun stories from Aesop provide fun reading, while motivating children to think about moral issues Lao language; A6 kip. The Mountain Spirits and the Stone Mortars A story that may explain the Plain of Jars is here, in the second book of our series of traditional Lao folktales.

The Mouse Drags the Cat Short sentences and fun cartoons give children practice at level 4, in our "Learn to Read" program. But in the end, it is all worth it. Mulberry and Lotus Sixteen trees and plants, many with animals in them, offer reading practice in our 'I Can Read' series. My Favorite Food The elephant likes sugar cane and the monkey likes bananas, in a colorful book that children can read "all by myself!

My Work The dog guards the house and the ox pulls a cart, in this short, easy, and colorful book for beginning readers. Nang Kaifa A god sends his daughter to earth in an egg. She marries an honest orphan, but a greedy king threatens their happiness. Nang Visaka The story of Nang Visaka, the first person to offer gifts to the monks, depicts life in the early days of Buddhism. Natural Wonders of the World Photos and text about natural wonders on six continents, from the Amazon rainforest to the Serengeti migration.

The Naughty Rabbit Khaopod, the rabbit, likes to play tricks on his friends. But when his tricks go too far, he starts to lose his friends. The Naughty Rabbit Lao language; A5 kip. New, Improved Buffalo Some things ought to be improved. But buffalos, as our young narrator learns, are fine just the way they are. New, Improved Buffalo Lao language; A5 kip. New, Improved Buffalo Lao language; A6 horizontal kip. No Bananas A young monkey visits her neighbors, looking for a snack. No Chickens, No Eggs Children and parents will enjoy reading this alphabet book together, with pictures from around the world.

The Nose Book Big noses and small noses, cat noses and mouse nose. Rhyme and humor combine to make a fun book for very young readers. Off to the Forest From the mountains of Laos, to the vast Amazon rainforest, two sparrows discover the beauty and value of forests. One Foot, Two Feet One foot a snail , two feet a gymnast.

This rhyming book gives practice with both counting and reading. One Mouse and Seven Cats Very easy number questions, each with a full-page picture, give children practice with basic arithmetic. Ongkhuriman Five Buddhist fables that have been popular for centuries, beginning with the story of Ongkhuriman, "The Finger Thief. Opposites One short tail, two long tails Engaging pictures of real animals introduce simple Lao and English vocabulary. The Orphan and the King Sisawath honed his writing skills here at Big Brother Mouse, and now has written three original fairy tales.

The Orphan and the King Lao language; A5 kip. Our Family Book Packed with stories and information for all ages, this big book helps rural families discover the benefits of reading. Lao language Cloth A4 kip. Our Food Heritage Recipes for 22 classic Lao dishes such as sin daet sundried meat and naw som sour bamboo shoots. Our Jobs Farmers. A gardener. A potter. Sixteen pictures show people busy at familiar jobs, with a brief caption for new readers. Our Lives Together Eight stories by Lao university students tell about how we live together to make our society.

Our Toys From spinning tops to a hand-made racecar, children will enjoy reading simple sentences about popular Lao toys. English; 19 x 26 cm kip. The Pen Reflects My Life Stories and personal essays by young people in Laos about their lives, their loves, and their hopes. Penguin and Polar Bear Travel the World A penguin, sheep, and turtle provide reading practice for children after they've finished our 'I Can Read' series. People of the Forest The story of the Mlabri Tribe, who lived and some may still simple lives, deep in the forests of Laos.

Lao and English; A5 Forthcoming kip. Phiiphong Two ghost stories, which have been passed along orally in Laos for many generations. Phiipop Lao folktales are always popular, and if they feature ghosts, so much the better! Here are two ghost stories. Phiiyakvai In this classic Lao folktale, a brother and sister are captured by an evil witch as they wander in the forest.

Phiiyamoi A traditional Lao folktale about the witch, Phiiyamoi, and the poor fisherman she forces to marry her. Phiiyamoi This large-format edition of a popular Lao folktale is especially designed for read-aloud activities. Picture Dictionary Five hundred words and pictures introduce the concept of a dictionary to young children. The Picture Thesaurus The first Lao thesaurus, with many illustrations, will be useful for students and writers of all ages. Pinocchio The ageless story of a boy who wants to be good, but finds that sometimes being bad is just too much fun.

Pirates Attacked Dr. Polar Bear Visits Laos Funny pictures are explained with words that rhyme, making a book that children will read again and again. Praying to Buddha Two children go to their village temple, pray, and make offerings, in this beginning-reader book. The Pregnant Crocodile Short sentences and fun cartoons give children practice at level 1, in our "Learn to Read" program.

Prehistoric Life Coloring Book Drawings and short captions depict animals ranging from early sea creatures to dinosaurs to primitive humans. Prince Phadaeng and Princess Aikham The legend of a princess and a naga prince, who through repeated incarnations search for love together. Protecting Yourself from Germs By seeing a family engaged in everyday activities, readers can learn about hygiene and health. Proverbs of Laos Favorite Lao proverbs, selected and illustrated by young people in Laos. Puppet Story A lively look at a traditional and culturally rich art form that in Laos, as elsewhere, is threatened by television.

The Purple Book of Interesting Facts Fascinating facts and pictures about many subjects, written in an easy style for beginning readers. Puzzles A rich mixture of games and puzzles, from Sudoku and and a Lao crossword, to mazes and number puzzles. Lao, English, and Japanese; A5 horizontal kip. The Rabbit and the Turtle Aesop's popular fable, retold with words and pictures, for early readers who haven't yet learned the full alphabet.

Raising Smart and Healthy Children This easy-to-read booklet explains to young parents why breastfeeding is best for their baby. Reptiles From flying dragons to foul-smelling snakes, here is a fascinating, well-illustrated look at the world of reptiles. Rhyming Dictionary The first rhyming dictionary for the Lao language, with 11, words. Lao language Cloth A5 kip. Sanitation and Toilets A clear guide to why better sanitation leads to better health, and several methods for building toilets. The Secrets of a Successful Writer Read, write, edit, revise. Here are the habits and techniques that turn a wannabe writer into a published writer.

Sengxay's Counting Book Sengxay's colorful book makes it fun for parents to enjoy a book with a young child while practicing an important skill. Siddhartha and the Swan The young prince Siddhartha, the future Buddha, helps his cousin learn about kindness to animals Lao language; A6 kip. Sithon and Manola A famous Lao folktale, illustrated with pictures of the story that were painted on a temple wall. Sky After Rain In very personal essays, university students reflect on themes important to them: parents, school, and relationships. The Sleepy Bat The little bat tries sleeping in one position after another, but it's never quite right.

Finally, he gets comfortable. The Slow Loris Short captions and colorful pictures introduce 30 varieties of animals of Laos. The Snail and the Frog A brief story about a frog and snail, with pictures showing the sign language vocabulary needed to tell the story. Eye-catching photos and brief captions of extreme places and things: from tiny microbes to galaxies being born. Sports Fun From traditional spinning tops to newer games like boules, this coloring book introduces 31 sports and recreations.

The Story of a Cat A traditional Khmu story about a cat that decides to ally itself with the strongest animal in the forest. The Story of Dr. Dolittle A kind-hearted animal doctor goes to Africa. Dolittle Lao language; 19 x 26 cm Temporarily Out of Print kip. Sudoku Easy sudoku puzzles, with step-by-step instructions and tips.

Sweet From Flowers All of nature is connected. When a drought kills the flowers, the bees grow hungry, until the wind and river help them. Here's our Lao version of a long-time favorite. Tangrams For centuries, these tangram puzzles have entertained people, while encouraging creativity and improving visual skills.

The Tiger One by one, the tiger confronts and defeats powerful animals Tigers and Rice Through photos, captions, art, a brief history, and stories, this book introduces the five countries that touch Laos. The Toad King This popular Lao folktale tells the origins of the annual rocket festival, as a reminder to the rain god to do his job.

Tokaido Road Woodcuts by one of Japan's premier artists depict scenes of ordinary life in Japan, nearly two centuries ago. Tong and Nong Reading is fun! This book lets children discover that fact for themselves, before they even learn the alphabet. Toothpick Puzzles Move a few toothpicks to make a new shape. These puzzles aren't merely fun; they also teach new ways of thinking.

Traditional Toys Traditional toys are often more fun than store-bought items. This book will help a new generation learn about them. Traditional Toys Lao language; A5 kip. Transportation and the Environment From desert camels to Arctic dogsleds , this picture book shows the connection between what we do and where are.

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Treasure Island One of the most popular adventure stories of all time, now in a Lao-language edition. Trees are Fascinating! Trees provide food, shade, and medicine and erosion control. This book builds an appreciation for their vital role. Two Brothers This famous Lao story tells of two poor brothers. One learns the importance of helping each other, the other does not. Two buffaloes dance and beat the drum Two friends, Champa and Champou Two traditional Lao stories depict life in a long-past era.

The Ugly Duckling Chamlern has beautifully illustrated the classic fairy tale about a duckling who is taunted for looking different. The Ugly Duckling Lao language; A5 kip. Using Books in School Suggestions for teachers about using books to get students involved in reading, thinking, writing, and understanding. Verbs in Action Children and adults alike will enjoy these cartoons, each illustrating a different verb in both English and Lao. The Very Hungry Wolf Stories based on Aesop's Fables, in extra-large type and with very few pictures, keep new readers on the words.

Water for Life A practical guide to developing sources of drinking water, protecting them, and purifying it. We Are Katang Three children in the Katang ethnic group tells about daily life in their village, in a picture book for early readers. We Are Ta-Oy Two Ta-Oy children carry water, help with chores, and play games with friends, in this easy-to-read picture book.

We Live in Attapeu Pictures and short captions about the daily life of three children in ethnic Brao villages of southern Laos. We Live in Salavan Two children in the Pakoh ethnic group share their daily lives, with short sentences and many pictures. We Live in Savannakhet Two Mangkong children in southern Laos tell about their families and their lives, with photos and short captions. We Love Books! I see a frog reading Children will proudly announce, "I read this book all by myself! We're Busy! Watch the buffalo, tend the garden.

Eight pictures show busy family members, with a brief caption for new readers. The Wet Elephant is Busy Humorous cartoons and short sentences, each with an internal rhyme. What Am I Doing? Children build their vocabulary by matching Lao verbs with cartoons that demonstrate the words in action. What Am I? Readers are invited to guess what animal is described by a short rhyme, before turning the page to see the answer. Bounmee puts her extra dinosaurs to good use, ringing the temple gong, and providing transportation to the next village. What Dinosaur Is This?

Children learn names of eight dinosaurs, then identify those dinosaurs when they appear in dramatic lifelike settings. What Happens to Your Food?

kids' books: thoughts, recommendations & reviews

To stay healthy, it's important to know how your body works. What's in the Market? From wriggling insects to unusual plants, this guidebook will help visitors understand what they see in the Lao market. What's in the Sky? Colorful photos and text tell about comets, galaxies, planets, stars, and more. Lao and English Cloth A4 kip. What's Most Important?

Why it's important for villagers to contribute, if they want better education for their children. Where Is My Mother? A little chicken hatches out of her egg, but her mother is gone! Her story will delight very young readers. Why Do My Chickens Die? Villagers asked us for a book about 'Why do our chickens die? Why Reading Is Important Here are 22 reasons to read, ranging from personal enjoyment to self-education to helping our family and society.

Why the Cat Kills Rats Four entertaining tales from Nigeria present familiar morals in the form of stories that will be new for Lao readers. Why the Crab Makes Its Hole A selfish crab thinks he can live without anyone else, until he gets lost and is saved by an unlikely friend. Why the Parrot Can Talk Two popular fairy tales, with a short text and big pictures on each page, ideally suited for reading aloud. Wily Python and other stories Four traditional Lao folktales are retold and beautifully illustrated.

The Wind in the Willows Disagreeable as he may be, who cannot love Toad? This classic tale offers entertainment, as well as food for thought. Wolf Mountain As he befriends a wild dog, a boy learns about kindness. Women's Health A long-needed book that explains women's reproductive systems, pregnancy, childbirth, and breastfeeding.

World War II This introduction to the deadliest war in history discusses the causes, realities, and horrors of the war. The Worm is Worried Short sentences and fun cartoons give children practice at level 5, in our "Learn to Read" program. Worms Make You Sick Big pictures and short, clear text explain how to protect yourself from intestinal parasites, a common cause of illness. Yellow Book about Insects Children can learn fun facts about insects, even while they are still learning to read. Yellow Book of Interesting Facts Fascinating facts and pictures about many subjects, written in an easy style for beginning readers.

Your Body Knowing how the body works is one step toward better health. Here is an introduction to the human body and good health. Indented entries are a different edition of the same title. Usually the size and price or language is different, or one edition was abridged. These prices are for reference, for people planning to visit a shop. At this time, we are not able to fill orders for specific titles, except for organizations within Laos with whom we have an ongoing relationship.

We price books as low as possible, and shops in other parts of the country that sell our books will often have to increase prices slightly, to cover their additional expenses. Can you help? A school class tells Why we brought a book to life in Laos. Click on any book below for more information and sample pages.

Some notes and explanations are at the bottom of this list. English for Lao students; A5 kip Activity Book Grades old Fun and educational activities for children: A drawing lesson, pictures to color, a maze, a secret code, and much more. Lao language; A4 kip The Adventures of Anansi African folk tales about a clever spider trickster. Lao language; A5 kip Aesop's Fables For two thousand years, these stories have provided fun reading, and useful lessons about life.

Lao and English; 19 x 26 cm Temporarily Out of Print kip After the Dinosaurs From mastodons to moas, these ancient animals will capture the attention of new readers young and old. Lao language; A6 kip Aijethai and other traditional stories from Laos Traditional Lao tales, including the story of Aijethai, who can eat 7 baskets of sticky rice at a time. Lao and English; 19 x 26 cm kip Ancient Egypt From mummies to pyramids, here is the story of one of the world's earliest civilizations. Lao language; 19 x 26 cm kip Ancient Egypt In simple English, here is the story of a fascinating culture.

English for Lao students; 19 x 26 cm kip Animal Homes Baby birds stick their heads from a nest while a spider lies in wait, in this beginning-level picture book. Lao language; A5 horizontal kip Animals of Africa Baby giraffes fall 2 meters to the ground when they are born! Lao and English; 19 x 26 cm kip Animals of Africa Lao language; A5 kip Animals of Australia A colorful and easy-to-read introduction to some of the world's most unusual animals.

Lao and English; A5 horizontal kip Animals of Laos An easy, well-illustrated introduction to our varied animals encourages readers to protect Laos's natural heritage. Lao and English; 26 x 19 cm kip Animals of Laos Lao language; A5 kip Animals of the Past A dinosaur book for new readers, with easy words and high appeal. Lao language; A5 kip Animals That I Know Familiar animals, cheerful drawings, and delightful poems will draw young readers into the world of these animals.

Lao language; A5 horizontal kip The Ant and the Elephant Favorite traditional stories from one of the largest ethnic groups in Laos, the Hmong. Lao and English; 19 x 26 cm kip Bangkok Bob, the Inventor Lao language; A5 kip Beautiful Luang Prabang From children spinning their tops, to villagers digging a well, these photos show many facets of life in Luang Prabang. Lao language; A4 horizontal kip The Bees Sting the Bear Short sentences and fun cartoons give children practice at level 6, in our "Learn to Read" program.

Teen Book Lists - Greenfield Public Library

Lao language; A5 kip Birds of the World Pictures and a short introduction to birds from many continents. Lao language; A5 kip Birds That I Know From the hornbill to the colorful bee-eater, these striking photographs will captive children and adults alike. Lao language; A5 Forthcoming kip The Blue Book of Interesting Facts Fascinating facts and pictures about many subjects, written in an easy style for beginning readers.

Lao language; 19 x 26 cm kip The Chicken that Laid the Golden Eggs This well-known story has a lesson still worth learning. Lao language; A5 kip Child Safety in the Village A brief guide for parents and caregivers about hazards ranging from pesticides and cooking fires to open motors. Lao language; A5 horizontal Temporarily Out of Print kip Consonants High and Low An entertaining guide to better spelling, featuring Lao words that are easily misspelled, Lao language; A5 kip Cooking Lao Food Recipes for more than two dozen Lao dishes, including classics such as owlam and kai paen; and many that are less known.

Lao language; A5 kip Count the Bananas This easy-to-read counting book was written by Bouaphan, a young woman on our book party team. Using only a quarter of the Lao letters, these sentences and cartoons get children excited about reading Lao language; A5 kip The Crab Carries the Fish Crabs, lizards, and snakes offer reading practice in our 'I Can Read' series. Lao language; A5 horizontal kip The Crazy Snake's Eyes Snakes, monkey, and birds fill these cartoons, for reading practice at a very beginning level. Lao language; A6 kip The Dancing Stork Children get much-needed practice with very short sentences, as they enjoy these 32 cartoons and short captions.

Lao language; 19 x 26 cm kip The Diary of a Young Girl Anne Frank's diary, with its honest portrayal of a life in hiding, is the classic portrait of the Holocaust years. Lao language; A5 kip Dinosaurs! Lao and English; A5 kip Dinosaurs! Lao language; A6 kip Discovery Day Book Grades This accompanies our interactive Discovery Days where students experience new, hands-on ways to learn.

Lao language; A4 kip Discovery Day Book Grades This accompanies our Discovery Days where students use microscopes, examine fossils, and enjoy educational games. Lao language; A6 kip Don't Return Evil For Evil An African folktale about best friends, driven apart by a feud, who learn just in time about the power of forgiveness. Lao language; A5 kip Dr. Lao and English; A5 kip Dr. Lao language; 19 x 26 cm kip Eat Tooth? Lao language; A4 kip Eggs, Eggs, Eggs Bright pictures, often with opposite meanings, make an entertaining book for very young readers.

Repetition, fun pictures, and a surprise ending create a story that children will read again and again Lao language; A5 horizontal kip English is Fun! Lao and English; 19 x 26 cm kip Family Planning A clear guide to the benefits, disadvantages, and effectiveness of various family planning methods.

Lao language; 19 x 26 cm kip A Fantastic and Frightening Place A boy who eats his sister's lunch finds himself transported to a faraway world of demons and monsters. Lao language; A5 horizontal kip Flowers That I Know From frangipani to the aptly named flame tree, these colorful flowers and short sentences make reading fun. Lao language; A5 horizontal kip Fly, Fly, Fly! Lao language; A5 kip The Frog Unbuttons Its Shirt Children have fun practicing the Lao letters -- and also the sign language symbols -- with this cartoon alphabet book.

Lao and English; A6 kip Frog, Alligator, Buffalo A classroom edition of Khama's lively alphabet book, with colorful double spreads that teachers can display. Lao language; A4 kip Frog, Alligator, Buffalo An alphabet book with an amusing verse and lively picture for each letter. Lao language; A5 kip Frog, Alligator, Buffalo Lao language; A6 kip Fruit Farm 1 Three fun stories, each with a touch of suspense, that young children can read by themselves. Lao language; A5 kip Fruits That I Know From papaya to tamarinds, these familiar fruits provide an enjoyable topic for children learning to read.

Lao language; A5 horizontal kip Fun with Fruit Lively rhymes and playful pictures about a few of Laos's varied fruits. Lao language; A5 horizontal Temporarily Out of Print kip Funny Letters Children will improve their alphabet skills as they read Siphone's funny sentences. Lao language; A5 kip Game Time! Lao language; A5 horizontal kip Get Up Early Like a Crow Thirty traditional Lao sayings, colorfully and humorously illustrated, pass down the wisdom of our ancestors. Lao language; A5 kip The Giant Vine A famous Lao creation story, of the vine that threatened the earth and the elderly couple who cut it down.

Lao language; A6 kip Good Job, Good Life Two stories help children understand the value of work and education, as they build for a better future. Lao language; A6 kip Good Manners Advice for becoming a more thoughtful and polite citizen, from one of the country's leading writers. Lao language; A5 kip Good Nutrition for Mother and Baby From the importance of breastfeeding to the preparation of simple baby foods, here is information young mothers want. Lao language; A6 kip The Green Book about Animals of the World From fighting kangaroos to now-extinct rhinos in Laos, these fascinating facts and photos make children eager to read.

Lao language; A5 kip The Green Book about Birds From plain petrels, to ornate birds of paradise, here are fascinating bird facts for beginning readers. Lao language; A5 Forthcoming The Green Book of Aesop's Fables By using almost no pictures, this easy-to-read story collection helps new readers stay focused on the printed words.

Lao language; A5 kip The Green Book of Interesting Facts Fascinating facts and pictures about many subjects, written in an easy style for early readers. Lao language; A5 kip Growing Up on the Mountain The story of a Hmong childhood in Laos: helping with chores, going to school, and adventures with boyhood friends.

English; A5 kip Growing Up on the Mountain Lao language; A5 kip Hands, Hands, Hands Short words, rhymes, and funny pictures spark the imagination of young readers, as they practice reading. Lao language; A5 kip Health and disease Facts about many common and preventable diseases, mixed with stories about health and disease around the globe. Lao language; A5 kip Hear My Voice! Lao language; A5 kip Helping Children Develop Suggestions about how to play with small children, in ways that will stimulate their mental development.

Lao language; A6 kip Helping Children Learn Advice about how to help a child's mental development, by encouraging and engaging in many activities together. Lao language; A4 kip Hidden Alphabet Children can learn the alphabet naturally and enjoyably, as they look for letters hidden in these pictures. Lao language; A4 Hmong Life Here are scenes from a Hmong village: building a house and growing rice, courtship and festivals.

Lao language; A5 kip How to Care for Pigs Practical advice about selecting a domestic pig, feeding it, and keeping it healthy. Lao language; A5 horizontal kip The Hunter Who Meditated Seven traditional stories that have been told for generations in the Khmu villages of Laos. Lao and English; A5 kip I am Arpo A girl in the Lue ethnic group tells about daily life in her village, in a picture book for early readers.

Lao language; A5 horizontal kip I am Bulapha A Lue boy tells about his life, with short sentences and big photos: School, household tasks, and playing with friends. Lao language; A5 kip I am Keng A girl from the Tai Dam ethnic group tells about her village life, in a picture book for early readers. Lao language; A5 horizontal kip I am Kerli A Hmong boy carries water, his mother feeds the pigs, then he plays with his friends, in this easy-to-read picture book.

Lao language; A5 horizontal kip I am Nouxoua A Hmong boy carries firewood, goes to school, and plays with his friends, in this easy-to-read picture book. Lao language; A5 horizontal kip I am Piak A girl in the Khmu ethnic group tells about daily life in her village, in a picture book for early readers. Lao language; A4 horizontal kip I am Sengtip A Yao Mien girl in northern Laos tells about her daily life, with many pictures and easy sentences for new readers.

Lao language; A5 horizontal kip I am Soulinda A girl in the Hmong ethnic group tells about daily life in her school and village, in a picture book for early readers. Lao language; A5 horizontal kip I Am Tai Dam Tai Dam children from the mountains of northern Laos tell about their culture, using words and pictures. Lao language; A5 kip I am Xai A Khmu boy tells about his life, with short sentences and big photos: Fishing, collecting firewood, and steaming rice.

Lao language; A5 kip I Can Read! Lao language; A5 kip In the Land of Dinosaurs Two boys and their dog discover a cave with a magic doorway that leads to a long-lost world. Lao language; A5 kip Insects are Fascinating Intriguing facts about insects - such as the fireflies that send out a false signal to attract suitors, then eat them.

Lao language; A6 kip Interesting Animals That I Know Sixteen striking photographs of interesting animals, with interesting facts about each. Lao language; A5 kip International Folktales Seven popular traditional stories from cultures and countries in Asia, Africa, and the Pacific.

Lao language; 19 x 26 cm kip Inventions Fifty inventions that changed the world provide a way to discuss history, technology, health, and creativity. Lao language; A4 kip The Invisible Bride A folktale about the bangbot, a spirit group that is part of the traditional beliefs in many Lao villages. Lao language; A6 kip Jong Jong Jong!

Lao language; A5 kip Kamsanongkam An elderly monk teaches two boys about kindness to all living creatures. Lao language; A5 kip Kidnapped David Balfour encounters an evil uncle, a kidnapping, a shipwreck, and murder, in 18th-century Scotland. Lao language; A5 kip King Giant and the Honey Seller A traditional Lao fairy tale about a giant, a princess, and a poor but wise honey-seller. Lao language; A5 horizontal kip Lao Proverbs Don't take lice from someone else's hair, and put it in your own hair.

Drawing books: How to Draw Pirates (Drawing Books -  (Japanese Edition) Book 1) Drawing books: How to Draw Pirates (Drawing Books - (Japanese Edition) Book 1)
Drawing books: How to Draw Pirates (Drawing Books -  (Japanese Edition) Book 1) Drawing books: How to Draw Pirates (Drawing Books - (Japanese Edition) Book 1)
Drawing books: How to Draw Pirates (Drawing Books -  (Japanese Edition) Book 1) Drawing books: How to Draw Pirates (Drawing Books - (Japanese Edition) Book 1)
Drawing books: How to Draw Pirates (Drawing Books -  (Japanese Edition) Book 1) Drawing books: How to Draw Pirates (Drawing Books - (Japanese Edition) Book 1)
Drawing books: How to Draw Pirates (Drawing Books -  (Japanese Edition) Book 1) Drawing books: How to Draw Pirates (Drawing Books - (Japanese Edition) Book 1)
Drawing books: How to Draw Pirates (Drawing Books -  (Japanese Edition) Book 1) Drawing books: How to Draw Pirates (Drawing Books - (Japanese Edition) Book 1)
Drawing books: How to Draw Pirates (Drawing Books -  (Japanese Edition) Book 1) Drawing books: How to Draw Pirates (Drawing Books - (Japanese Edition) Book 1)
Drawing books: How to Draw Pirates (Drawing Books -  (Japanese Edition) Book 1) Drawing books: How to Draw Pirates (Drawing Books - (Japanese Edition) Book 1)
Drawing books: How to Draw Pirates (Drawing Books -  (Japanese Edition) Book 1) Drawing books: How to Draw Pirates (Drawing Books - (Japanese Edition) Book 1)

Related Drawing books: How to Draw Pirates (Drawing Books - (Japanese Edition) Book 1)



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